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Against a gold mosaic-like background the spirit of divinity points to the Disputa scene below. The two putti hold inscriptions that might be translated as "Knowledge of Divine Matters."

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The Italian word disputa has unfortunately been translated into English as dispute, suggesting argument, contention, and quarrel. The more probable meaning of disputa here is discussion, deriving ultimately from the Latin disputare, “to reckon.”

The central "discussion" in the Disputa mirrors the interaction between Plato and Aristotle across the room in The School of Athens.

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Unlike the interior setting of The School Athens, the Disputa takes place in two realms: the divine in heaven (with the clouds mirroring the cloud of the seated Divinity in the tondo above), and the earthly outdoors scene with a city and landscape in the distance.

(Click the image for a lightbox view)

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(Click the image for a lightbox view)

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"In the painting, Raphael has created a scene spanning both heaven and earth. Above, Christ is surrounded by an aureole, flanked by the Blessed Virgin Mary and John the Baptist to his right and left (an arrangement known as the Deësis). Other various biblical figures such as Adam (far left, bared chest), Jacob (far right, red robe and sword) and Moses (right, with horns of light and holding tablets of the Ten Commandments) are to the sides. God the Father sits above them all in the golden light of heaven and adored by angels. Below Christ's feet is the Holy Spirit, to whose sides are books of the four Gospels held open by putti.

 

"Below, on an altar sits the monstrance. The altar is flanked by theologians who are depicted debating Transubstantiation. Christ's Body, Blood, Soul, and Divinity is the Holy Eucharist, which is discussed by representatives of the Church; among them are the original four Doctors of the Church (identified by their names inscribed into their halos), with Pope Gregory I and Jerome seated to the left of the altar and Augustine and Ambrose to the right, along with Pope Julius II, Pope Sixtus IV, Savonarola and Dante Alighieri. Pope Sixtus IV is the gold dressed pope in the bottom of the painting. Directly behind Sixtus is Dante, wearing red and sporting a laurel wreath (symbolizing his greatness as a poet). The bald figure reading a book and leaning over a railing in the left hand corner could be Raphael's mentor and Renaissance architect Bramante. The Disputation includes over 100 figures." -- Wikipedia

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The unity (upraised forefinger) of the divine and perfect, and the spreading hands gesturing to the world around us

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The book on the left is a commentary on the Book of Job written by Pope Gregory I. The volume on the right is Augustine's City of God. Each volume can be seen as the Christian parallel to the works in the School of Athens: Arisotle's Ethics and Plato's Timaeus.

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Click the image to visit a page with over fifty details images from the Disputation:

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